Finally, he weaves these strands into a contemporary Christian theology of embodiment. He then delves into the concept of the gaze and discusses a specifically Christian "gaze of faith" that focuses on God embodied in Jesus. Presenting his constructive contributions to theology in relation to both historical and contemporary conceptions of the body, Sigurdson begins by investigating the anthropological implications of the doctrine of the incarnation. Ola Sigurdson contends, to the contrary, that Christianity - understood properly - in fact affirms human embodiment. They approach particular problems assuming a knowledge of medieval Europe but little expertise in liturgical studies per se.ĭeep and wide study of 2,000 years of Christian thought on the human body Does Christianity scorn our bodies? Friedrich Nietzsche thought so, and many others since him have thought the same. The essays are intended to be introductory but to provide the basic facts and the essential bibliography for further study. Clifford Flanigan, seeks to open the field, to examine liturgy within the larger and more inclusive category of ritual. A concluding essay, which originated in notes left behind by the late C. In a series of essays, scholars of the liturgy examine The Shape of the Liturgical Year, Particular Liturgies, The Physical Setting of the Liturgy, The Liturgy and Books, and Liturgy and the Arts. ![]() This volume seeks to address the needs of teachers and advanced students who are preparing classes on the Middle Ages or who find themselves confounded in their studies by reference to the various liturgies that were fundamental to the lives of medieval peoples. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, and Andriy Chirovsky. ![]() Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. The reader will travel to Rome, Byzantium, Armenia, Chile, and to other parts of the world, to see how Christians of yesterday and today have experienced divine encounters through icons. ![]() Nicholas Denysenko’s book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute’s symposium “Icons and Images,” the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches.
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